Well where to start?
It’s a bit hard to tell the story of Grace, as there’s a lot to tell. We could start at the beginning, when she was young first learning ‘ring a ring a roses’ on piano. Or when she had to wait for her ‘baby’ teeth to fall out to start playing French Horn, which years later led to her playing music from composers like Phillip Spark and Frank Ticheli across Europe in various orchestral ensembles.
Maybe then a good place to start would be at 18 when she wondered what on earth she was doing playing Rachmanioff and Gershwin, when what she really wanted to do was crank up an amp and learn some Opeth, or perhaps try and figure out what that rhythm is Chris Squire was playing on Yes’ ‘Drama’ record – so even more instruments started to get swept into the fold as her grasp of progressive rock and metal gradually turned into a permanent epoxy bond in her brain.
But for now, we wait. As brand new music is on the horizon. Until then, this bio remains unfinished…